#1 = The Boy and the Heron
GKIDS’ and Studio Ghibli’s Japanese-language anime from director Hayao Miyazaki soared to $12.8M, securing the top spot over the weekend.
For comparison, that’s higher than the final domestic totals of several Miyazaki films, including:
- 2002’s Spirited Away = $10.0M
- 2014’s The Wind Rises = $5.2M
- 2005’s Howl’s Moving Castle = $4.7M
It’s also not far off from the final domestic total of Miyazaki’s 2009 release Ponyo, $15.0M. Heron will likely overtake Ponyo later this week.
Versus some other comparable anime openings of recent years, Heron opens:
- +37% above 2022’s One Piece Film: Red = $9.3M
- +99% above 2012’s The Secret World of Arrietty = $6.4M
Heron also opens above the entire final domestic total of:
- 2022’s Suzume = $10.9M
- 2019’s Weathering with You = $9.0M
- 2016’s Your Name. = $5.0M
Impressively, Heron leads the weekend box office despite only having the #8 widest release in the marketplace at 2,205 theaters.
#2 = The Hunger Games: The Ballad of Songbirds and Snakes
In its fourth frame, Lionsgate’s dystopian action prequel repeats in second place with a -34% drop to $9.4M.
Through 24 days, Songbirds has earned $135.6M. Through the same point in release, that’s:
- -59% below 2012’s The Hunger Games = $336.6M
- -62% below 2013’s Catching Fire = $357.5M
- -51% below 2014’s Mockingjay Part 1 = $276.8M
- -44% below 2015’s Mockingjay Part 2 = $244.6M
However, that point of comparison marks an improvement for Songbirds, as its opening weekend lagged further behind its four predecessors, coming in:
- -70% below 2012’s The Hunger Games
- -71% below 2013’s Catching Fire
- -63% below 2014’s Mockingjay Part 1
- -56% below 2015’s Mockingjay Part 2
Songbirds is also running -31% behind 2016’s Harry Potter spinoff prequel Fantastic Beasts and Where to Find Them = $198.9M.
Read Boxoffice PRO’s interview with The Ballad of Songbirds and Snakes director Francis Lawrence here:
#3 = Godzilla Minus One
Last weekend, Toho International’s Japanese-language monster movie stomped to a $11.4M debut in third place.
Now in its sophomore frame, it repeats in third place with -27% to $8.3M.
Compared to the three most recent English-language Godzilla films, that sophomore drop is far milder than:
- 2021’s Godzilla vs. Kong = -57%
- 2014’s Godzilla = -67%
- 2019’s Godzilla: King of the Monsters = -68%
#4 = Trolls Band Together
In its fourth frame, Universal’s animated three-quel repeats in fourth place with a -21% decline to $6.2M.
Through 24 days, Band has earned $83.0M. Through the same point in release, that’s -38% behind behind 2016’s Trolls ($135.4M). That represents a slight dip for Band, which opened -35% below Trolls.
#5 = Wish
In its third frame, Disney’s animated musical repeats in fifth place with a -31% decline to $5.3M.
Through 19 days, after opening midweek on a Wednesday, Wish has earned $49.4M total. That’s running far behind other Disney animated musicals released on Thanksgiving weeks past:
- -31% below 2021’s Encanto = $71.9M
- -48% below 2010’s Tangled = $96.5M
- -58% below 2016’s Moana = $119.7M
- -63% below 2013’s Frozen = $134.2M
Wish is holding worse than Encanto, having scored an opening weekend only -22% behind the earlier film. However, Wish‘s rate of decline is less steep when compared to several other recent Disney animations released over Thanksgiving, having initially opened to:
- -54% below Tangled
- -61% below Moana
- -66% below Frozen
#6 = Renaissance: A Film by Beyoncé
Last weekend, the AMC Theatres Distribution + Variance Films concert documentary debuted to $21.8M.
Now in its sophomore frame, it plunges a steep -77% to $5.0M and sixth place.
Compared to the sophomore drops for other comparable concert documentaries, that’s far steeper than:
- 2009’s posthumous Michael Jackson concert documentary This Is It = -43%
- 2011’s Justin Bieber: Never Say Never = -55%
- October’s Taylor Swift: The Eras Tour = -64%
- 2008’s Hannah Montana and Miley Cyrus: Best of Both Worlds Concert = -67%
#7 = Napoleon
In its third frame, Sony Pictures and Apple Studios’ historical drama fell -42% to $4.2M.
Through 19 days, after opening midweek on a Wednesday, Napoleon has earned $53.0M total. Through the same point in release, that’s:
- -1% below Killers of the Flower Moon, a comparable historical drama from Apple Studios = $53.9M
- +29% ahead of director Ridley Scott’s 2021 House of Gucci = $41.0M
#8 = Waitress: The Musical
Bleecker Street’s and Fathom Events’ five-day limited engagement event cinema release Waitress: The Musical served up $3.2M.
After opening with $672K on Thursday, it’s now earned $3.9M through four days in only 1,214 theaters.
#9 = Animal
Last weekend, Moksha Movies’ Indian foreign-language action drama earned the second-highest domestic Bollywood opening ever with $6.5M in seventh place.
In its sophomore frame, it falls -65% to $2.2M and ninth place.
Compared to the sophomore drops of other Indian releases this year, that’s steeper than:
- November’s Tiger 3 = -47%
- September’s Jawan = -61%
- January’s Pathaan = -61%
#10 = The Shift
Last weekend, Angel Studios’ faith-based sci-fi film opened with $4.3M in eighth place.
Now in its sophomore frame, it falls -50% to $2.1M and tenth place.
Versus some other comparable faith-based releases this year, that’s steeper than:
- September’s The Blind = -26%
- March’s His Only Son = -49%
However, it’s milder than October’s After Death = -60%.
Outside the top 10
Searchlight Pictures’ Poor Things opens to an estimated $644K in nine theaters. Its $71,556 per-theater average ranks #3 of the year so far, behind only June’s Asteroid City ($142,230) and April’s Beau is Afraid ($80,099).
Neon’s horror-drama Origin took in an estimated $117K in two theaters. Its $58,532 per-theater average ranks #4 of the year so far, behind Asteroid City, Beau is Afraid, and Poor Things.
20th Century Studios’ 35th anniversary re-release of 1988’s Die Hard earned $923K in 1,355 theaters. That sub-$1M total falls well below comparable 2023 blockbuster re-releases like Titanic, Jurassic Park, and Return of the Jedi.
Universal’s 20th anniversary re-release of 2003’s Love Actually failed to draw in Christmas crowds, making $280K in 927 theaters—less than one-third of the (admittedly quite dissimilar) Die Hard.
Universal’s July Oppenheimer re-expanded to 1,316 theaters for awards season, up from 101 last frame, earning $350K.
Weekend comparisons
Total box office this weekend comes in around $67.2M, the #5 lowest overall weekend of 2023.
Here’s how this weekend compares to last weekend, the same weekend last year, and the same weekend in the last pre-pandemic year of 2019:
Weekend |
Total |
This weekend is: |
Leader |
Last weekend |
$97.1M |
-30% |
Renaissance: A Film by Beyoncé = $21.8M |
Same weekend in 2022 |
$37.7M |
+78% |
Black Panther: Wakanda Forever, fifth frame = $11.2M |
Same weekend in 2019 |
$90.3M |
-25% |
Frozen II, third frame = $35.1M |
YTD comparisons
Year-to-date box office stands around $8.36B.
Here’s how that compares to last year and the last pre-pandemic year of 2019:
Year |
YTD total |
2023 YTD now: |
After last weekend: |
Trend |
2022 |
$6.77B |
+23.4% |
+22.7% |
Up |
2019 |
$10.35B |
-19.1% |
-19.3% |
Up |
Top distributors
Grouped by parent company, the YTD leaders are:
- Disney + 20th Century + Searchlight + Star: $1.87B
- Universal + Focus Features: $1.85B
- Warner Bros.: $1.15B
- Sony Pictures + Sony Classics + Crunchyroll + Affirm: $958.6M
- Paramount: $840.1M
Sunday’s Studio Weekend Estimates:
Title | Estimated weekend | % change | Locations | Location change | Average | Total | Weekend | Distributor |
The Boy and the Heron | $12,836,313 | 2,205 | $5,821 | $12,836,313 | 1 | GKIDS | ||
The Hunger Games: The Ballad of Songbirds & Snakes | $9,400,000 | -34% | 3,665 | -26 | $2,565 | $135,655,926 | 4 | Lionsgate |
Godzilla Minus One | $8,342,710 | -27% | 2,540 | 232 | $3,285 | $25,344,044 | 2 | Toho International |
Trolls Band Together | $6,200,000 | -21% | 3,451 | -165 | $1,797 | $83,081,775 | 4 | Universal |
Wish | $5,300,000 | -31% | 3,410 | -490 | $1,554 | $49,412,846 | 3 | Walt Disney |
Renaissance: A Film by Beyoncé | $5,000,000 | -77% | 2,539 | $1,969 | $28,051,164 | 2 | AMC Theatres Distribution + Variance | |
Napoleon | $4,200,000 | -42% | 3,350 | -150 | $1,254 | $53,094,572 | 3 | Sony Pictures |
Waitress: The Musical | $3,237,875 | 1,214 | $2,667 | $3,909,980 | 1 | Bleecker Street | ||
Animal | $2,275,000 | -65% | 622 | -78 | $3,658 | $11,552,377 | 2 | Moksha Movies |
The Shift | $2,159,077 | -50% | 2,450 | $881 | $8,501,877 | 2 | Angel Studios | |
Silent Night | $1,720,000 | -43% | 1,870 | $920 | $5,844,374 | 2 | Lionsgate | |
The Marvels | $1,330,000 | -47% | 1,700 | -500 | $782 | $82,940,438 | 5 | Walt Disney |
Thanksgiving | $1,200,000 | -54% | 2,025 | -481 | $593 | $30,471,669 | 4 | Sony Pictures |
Die Hard | $923,000 | 1,355 | $681 | 20th Century Studios [Disney] | ||||
The Holdovers | $650,000 | -46% | 923 | -389 | $704 | $16,395,675 | 7 | Focus Features [Universal] |
Poor Things | $644,000 | 9 | $71,556 | $644,000 | 1 | Searchlight [Disney] | ||
Eileen | $615,000 | 559% | 5 | -1 | $123,000 | $746,260 | 2 | Neon |
Dream Scenario | $612,143 | -64% | 1,250 | -328 | $490 | $4,894,432 | 5 | A24 |
Oppenheimer | $350,000 | 1947% | 1,316 | 1,215 | $266 | $325,745,060 | 21 | Universal |
Love Actually | $280,000 | 927 | $302 | Universal | ||||
Killers of the Flower Moon | $194,000 | -58% | 247 | -173 | $785 | $66,921,684 | 8 | Paramount |
Journey to Bethlehem | $150,000 | -25% | 455 | -11 | $330 | $6,444,702 | 5 | Sony Pictures |
Radical | $118,531 | -53% | 150 | -105 | $790 | $8,438,887 | 6 | Pantelion Films |
Priscilla | $117,356 | -65% | 230 | -205 | $510 | $20,694,076 | 7 | A24 |
Origin | $117,063 | 2 | $58,532 | $117,063 | 1 | Neon | ||
Five Nights at Freddy’s | $100,000 | -76% | 265 | -467 | $377 | $137,163,570 | 7 | Universal |
Next Goal Wins | $95,000 | -62% | 190 | -310 | $500 | $6,637,872 | 4 | Searchlight [Disney] |
The Sweet East | $9,500 | -69% | 2 | 1 | $4,750 | $54,311 | 2 | Utopia |
Common Ground | $1,300 | -84% | 2 | $650 | $237,339 | 11 | Area 23a |
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