As summer movie season winds down, one major studio release will aim to top the box office in its debut as domestic theaters and moviegoers celebrate the second National Cinema Day this Sunday.
The Boxoffice Podcast is your #1 resource for news and analysis about movies and the movie business. We’ll be your guide through these evolving and sometimes disruptive times. While breaking down film headlines, exploring box office results, and chatting with studio & cinema executives, we’ll discuss all aspects of movies and entertainment. By movie lovers for movie lovers!
In this week’s episode of the Boxoffice Podcast, co-hosts Daniel Loria, Rebecca Pahle and Chad Kennerk cover the latest exhibition news, including how Will Rogers Motion Picture Pioneers Foundation is helping those affected by the wildfires in Southern California. National Popcorn Day is just around the corner on January 19th and the team shares more chains with special offers. Check your local theater for National Popcorn Day deals near you. In the feature segment, Daniel previews the 2025 Dine-In Cinema +FEC Summit with the founders of the event, Matt and Amy Mader of Venue Valet.
Give us your feedback on our podcast by accessing this survey: https://forms.gle/CcuvaXCEpgPLQ6d18
What to Listen For
00:18 Preview of Dine-In Cinema Summit
01:05 Slow Box Office Weekend Overview
05:25 Lionsgate’s Upcoming Releases and Forecasts
08:00 National Popcorn Day Promotions Across Major Chains
12:00 Will Rogers Foundation’s Disaster Assistance Programs
13:23 Feature Segment: Interview with Matt and Amy Mater
14:05 FEC (Family Entertainment Center) Trends in Cinema
17:50 Challenges of Integrating FEC with Cinemas
20:30 Creative Use of Abandoned Retail Spaces
22:00 Kickoff Events for Dine-In Cinema Summit
23:45 AI Integration in Cinema Operations
26:10 Designing Efficient Dine-In Kitchens
27:45 Concurrent Programming at the Summit
30:10 Case Studies on Dine-In and FEC Models
32:30 Marketing Strategies for Cinema Operators
35:45 Integration of Gaming and Bowling in Cinemas
38:50 Technology and POS Systems for Cinemas
Gran Turismo
Sony Pictures
August 25, 2023 (WIDE)
Opening Weekend Range: $13M-$22M
PROS:
- Gran Turismo has the IP and video game fan base to help boost interest in its debut. Sneak previews over the last few weeks have provided a unique promotional strategy to aid in pre-release awareness and audience word of mouth. A premium screen footprint that includes IMAX is another plus.
- On the penultimate weekend of the summer season, holdovers will continue to drive a significant share of business. Barbie and Oppenheimer will remain significant players in their sixth frame, with the latter returning to share screen time at digital IMAX locations and enjoying its final planned weekend in 70mm IMAX runs.
- National Cinema Day will be held at more than 3,000 domestic venues on Sunday with virtually all movies, formats, and showtimes priced at an economical $4 per ticket, alongside various concession deals from exhibitors. The inaugural National Cinema Day last year attracted more than 8 million moviegoers, driving the highest theatrical foot traffic of 2022.
This year, there’s a stronger lineup of widely appealing films already playing in theaters, with the likes of The Little Mermaid, The Super Mario Bros. Movie, Jurassic Park, and others making a brief return to screens as part of the festivities.
CONS:
- Gran Turismo, like other recent films, lacks the traditional marketing prowess that would have been in play without the ongoing SAG-AFTRA and WGA strikes. Early critics’ reviews are also somewhat mixed, as the Rotten Tomatoes score sits at 59 percent as of Wednesday morning.
- Lionsgate and Briarcliff Entertainment will release Retribution and The Hill, respectively, this weekend, though minimal marketing indicates limited box office potential. Of the two, The Hill has the most sleeper potential. Similarly, Golda will open courtesy of Fathom Events and Bleecker Street, but in semi-wide release. Due to the nature of these three releases and the debatable halo effect of National Cinema Day, forecasts are not currently offered.
- While National Cinema Day could still prove to be successful by certain measures, there is increased volatility surrounding all forecasts this weekend due to the celebration’s positioning on Sunday—putting it immediately before a work day for most adults and a school day for more than 60 percent of K-12 students around the country. Last year’s National Cinema Day had the theoretically stronger advantage of landing on the Saturday during Labor Day (Monday) weekend.
Current projection ranges call for an 78% increase from the comparable weekend’s top ten aggregate of $41.4 million in 2022 and a 12% decrease from 2019’s $87.9 million.
For reference, the top ten earned $42.4 million over the three-day Labor Day weekend when National Cinema Day was celebrated on Sunday during the first frame of September last year.
Film | Studio | 3-Day Weekend Forecast | Projected Domestic Total through Sunday, August 27 | Fri Location Count Projection (as of Wed) | 3-Day % Change from Last Wknd |
Gran Turismo | Sony Pictures | $17,400,000 | $17,400,000 | ~3,800 | NEW |
Barbie | Warner Bros. Pictures | $15,800,000 | $593,700,000 | ~3,900 | -25% |
Blue Beetle | Warner Bros. Pictures | $12,400,000 | $46,700,000 | ~3,871 | -50% |
Oppenheimer | Universal Pictures | $8,000,000 | $299,200,000 | ~3,200 | -25% |
Teenage Mutant Ninja Turtles: Mutant Mayhem | Paramount Pictures | $7,500,000 | $99,800,000 | ~3,300 | -12% |
Strays | Universal Pictures | $4,800,000 | $16,300,000 | ~3,223 | -42% |
Meg 2: The Trench | Warner Bros. Pictures | $4,400,000 | $73,600,000 | ~3,000 | -35% |
Haunted Mansion | Walt Disney Pictures | $2,600,000 | $62,800,000 | ~1,800 | -14% |
Talk to Me | A24 | $2,300,000 | $41,500,000 | ~1,500 | -27% |
Mission: Impossible – Dead Reckoning Part One | Paramount Pictures | $2,100,000 | $168,100,000 | ~1,800 | -23% |
All forecasts are subject to revision/finalization before the first confirmation of opening previews or Friday estimates from studios or official sources.
Theater counts are either studio estimates OR unofficial projections if preceded by “~”.
The above table does not necessarily represent the top ten as some studios do not finalize weekend location counts and/or an intent to report box office returns prior to publishing.
Share this post